Ralf Kollmann formed mobilee in partnership with Anja Schneider, and what began as a side project quickly expanded into a fully-fledged career as mobilee blossomed from a small, homegrown label into a full-on music and entertainment enterprise. mobilee is committed to facing the realities of rapid change within the music industry, and adapts to technological and cultural transformations through a continual process of re-invention.

More a fully-fledged company than just a traditional record label, mobilee looks towards an integrated clubbing experience, bringing label management, artist management, publishing, promo and artist studios together under one roof, while placing an explicit primacy on developing and utilizing innovative modes of music distribution and promotion for its artists. 2025 is being the 20th anniversary of the label and its still going and growing.

Kollmann works tirelessly behind the scenes to hone the mobilee sound, championing the label’s artists and unearthing the future-forward new talent that will contribute to pushing the mobilee vision forward. Unafraid to journey off the well-worn path, he continues to move the label and its ever-growing collective in dynamic directions.

In 2015 he became Executive Board Member of the AFEM (Association For Electronic Music) representing the Rights Holders Section and pushing the Get Played Get Payed initiative which aims on changing the distribution of royalty fees by connecting track identifcation technology to the global system of Collecting Societys like GEMA, SACEM, PRS, etc

In 2017 he also joined the Board of Bridges For Music - a non-prophet organization building an academy for music education and entrepreneurship in Langa / Capetown - South Africa

His artist management company I-AM-MGMT (Individual artist and music management) is looking after artists like Anja Schneider, Rodriguez Jr., Squire, M.E.M.O. and all connected label brand activities.

Join this Immersive Music workshop with Ralf Kollmann of Mobilee Records and Myles Clarke from Dolby, expertly moderated by Finlay Johnson of AFEM.

The workshop will touch on some of the technicalities of working in, and delivering Dolby Atmos for Music. We’ll talk at length about the benefits of working in the format, and the ever increasing footprint of services and devices for the listener. We’ll look at it from all angles; Artist, Producer, Engineer, Management, Label, and of course, the fans.

The Dolby team will stick around to get more in depth with anyone who has further questions!